THE GHOSTS OF ROME by Joseph O’Connor hits Number One in Ireland

THE GHOSTS OF ROME, the second literary thriller in the Rome Escape Line Trilogy by bestselling author Joseph O’Connor, has jumped straight to Number One on the Irish bestseller chart after three days on sale and is in the Top 20 in the UK hardback chart as well.

The novel is published by Harvill Secker in the United Kingdom and Ireland and has just been published in the US and Canada by Europa Editions. In the UK, THE GHOSTS OF ROME was launched at Daunt Books in Marylebone and at the Irish Embassy in London where Joe was in conversation with Emma Madigan, Irish Diplomat and Former Ambassador of Republic of Ireland to the Holy See. A sold-out event at the Pavilion Theatre in Dún Laoghaire, Dublin, launched the bestselling Irish edition.

February 1944. Six months since Nazi forces occupied Rome. Inside the beleaguered city, the Contessa Giovanna Landini is a member of the band of Escape Line activists known as ‘The Choir’. Their mission is to smuggle refugees to safety and help Allied soldiers, all under the nose of Gestapo boss Paul Hauptmann.

During a ferocious morning air raid a mysterious parachutist lands in Rome and disappears into the backstreets. Is he an ally or an imposter? His fate will come to put the whole Escape Line at risk.

Meanwhile, Hauptmann’s attention has landed on the Contessa. As his fascination grows, she is pulled into a dangerous game with him – one where the consequences could be lethal.

Like MY FATHER’S HOUSE before it, THE GHOSTS OF ROME has been published to widespread acclaim. In The Guardian, Laura Wilson called the novel ‘nail-bitingly tense… vivid and moving’ in her round up of the ‘Best Recent Crime and Thrillers’ while the Sunday Times named it as one of their ‘Books to Look out for in 2025. The Sunday Independent commented that ‘The version of the war created here rings so emotionally true and clear… The writing has the energy and tension of a thriller yet the language is rich, visual and beautiful. The narration swoops in close to each character then the lens widens, almost cinematically. It becomes a bird flying over the city, strong and free, observing the tragedy and chaos below. Fans will love this return to the Choir.’

Reviewers in the US also have high praise for THE GHOSTS OF ROME. In a rave review in The New York Times, Alex Preston said ‘O’Connor has often been likened to the great Irish modernists for the lyricism of his voice-driven novels. But THE GHOSTS OF ROME also situates him within a broader European tradition of memory and moral reckoning, one that returns again and again to World War II. O’Connor embraces this legacy while transcending its cliches… What emerges is not just a wartime thriller, though it is that, but a meditation on how we remember, how we resist and how, even in the darkest times, humanity endures.’ Kirkus Reviews said ‘the story is exciting and rich with prose that’s a joy to read… Top-notch storytelling filled with emotion and drama’ while Publishers Weekly called the novel ‘pulse-pounding’ in a starred review. More praise can be found below.

The first novel in the trilogy, MY FATHER’s HOUSE, was published by Harvill Secker and Europa Editions in 2023, when it flew straight to Number One on the Irish bestseller charts, remaining there for four consecutive weeks. It has now sold more than 100,000 copies in the English language. It was shortlisted for the 2024 Walter Scott Prize for Historical Fiction and the Eason An Post Irish Novel of the year 2023, and also longlisted for the 2024 Dublin Literary Award.

 

Praise for THE GHOSTS OF ROME

‘O’Connor has done his research with care, drawing on O’Flaherty’s unpublished letters, diaries and journalism. With his real people in place, the author spins a new tale of derring-do, recounted with the help of imagined interviews conducted many years later… O’Connor paints a lively picture of a city filled with Fascist police and German soldiers, some on furlough from the North, everyone watchful and hungry, the streets filthy, the black-market prices rising every day… THE GHOSTS OF ROME is both a tribute to the imagination and courage of his remarkable team and a riveting thriller.’ – Caroline Moorehead, The Times Literary Supplement

‘A mesmerising, tragic, horrifying, utterly unputdownable story… A deeply affecting read with an ending that’s sad yet life affirming, this is an outstanding choice for fans of WWII fiction and of writers like Anthony Doerr.’ – Emily Melton, Booklist, starred review

‘O’Connor is a novelist capable of real poetry who also gives thriller fans a reason to turn the pages… Meticulously researched… This tremendous piece of work captures everything from the Ardeatine massacre to the musicality of the eternal city, which the roar of war cannot quell… There’s also a satisfying ending before the touching coda, setting things up nicely for the trilogy’s final entry. If it’s even half as good as this, it will be a very good book indeed.’ – Pat Carty, The Business Post

‘From the opening tour de force sequence of the Allied air-raid on Rome to the brilliantly done (and unexpected) coda, I found it utterly gripping and, if anything, even more enjoyable, atmospheric and informative than MY FATHER’S HOUSE was (a high bar to clear)… a tremendous read.’ – Peter Kemp

‘There is no finer writer of historical fiction than Joseph O’Connor. Nazi occupied Rome springs to life under his skilful pen.  In THE GHOSTS OF ROME, the tension builds almost unbearably as the Contessa faces down Commander Hauptmann. Beautifully written, warm and witty, this story of a terrorised city is a must-read. Thrilling, terrifying and entertaining in equal measure. Bravo!’ – Liz Nugent

‘It was hard to turn pages fast enough to keep up with the rapid-fire pace of THE GHOSTS OF ROME. Joseph O’Connor lures readers into a little known, but important, facet of World War II history and keeps them hooked until the very last page.’ – Marie Benedict, New York Times bestselling author of THE MYSTERY OF MRS. CHRISTIE and THE ONLY WOMAN IN THE ROOM

‘The lyricism of his writing is sublime.’ – Ryan Tubridy

‘Joseph O’Connor’s THE GHOSTS OF ROME is as thrilling, beautiful and sensational a novel as you’ll read this year or any year.’ – Donal Ryan, What Our Top Authors Are Reading Now, Irish Sunday Times

‘O’Connor’s characters, historical and fictional, resonate with all the villainy, heroics, indecisiveness, kindness and headstrong daredevilry that make up any group of humans from kindergarten on – but here, uniqueness can prove lethal.’ – E. B. Boatner, Lavendar

‘Lovers of suspenseful stories, students of WWII history and those who are looking for a novel with relatable characters and a worthy moral framework will surely find this one to their pleasure.’ – Reading the West

‘Eternal Rome is always in the background as bombings scatter ancient artifacts and the city’s great age brings old shadows to the streets... Superb storytelling.’ – Candace Siegle, Greedy Reader

‘O’Connor continues to stun with this follow-up to MY FATHER’S HOUSE ...Chilling, engrossing, inspiring!’ – Kelly Justice, Fountain Books

‘NOT just another WWII story, this one is filled with such memorable characters and the suspense is truly thrilling and I am exceedingly anxious for the third and final book in this wonderful series. I need to know what happens… the suspense is killing me!’ – Mollie Mitchell, Heathfire Books

‘Intense and riveting... I’ve become attached to the characters, and it is easy to get lost in the time and place of events. O’Connor is a master storyteller and not to be missed! A must read!!’ – Stephanie Crowe, Page & Palette

 

 About Joseph O’Connor

Photo credit: Urszula Soltys

Joseph O’Connor was born in Dublin, where he still lives. THE GHOSTS OF ROME is his eleventh novel: he is also the author of film scripts, radio and stage plays, two collections of short stories, and several bestselling works of non-fiction.

2022 was the 20th anniversary of Joseph O’Connor’s novel STAR OF THE SEA which was an international bestseller, selling more than a million copies in the UK alone and being published in 38 languages. It won France’s Prix Millepages, Italy’s Premio Acerbi, the Irish Post Award for Fiction, the Nielsen Bookscan Golden Book Award, an American Library Association Award, the Hennessy/Sunday Tribune Hall of Fame Award, and the Prix Litteraire Zepter for European Novel of the Year.

His novel GHOST LIGHT was chosen as Dublin’s One City Book novel for 2011. Published in 2019, SHADOWPLAY, has won him extraordinary praise, was shortlisted for the Walter Scott Prize, The Dalkey Novel Prize, the Costa Novel Prize, among others, and won him Novel of the Year at the An Post Irish Book Awards. The French edition was shortlisted for the Jean Monnet Prize and the Vintage paperback was a Richard and Judy Winter 2020 pick.

He holds an honorary Doctorate in Literature from University College Dublin and received the Irish PEN Award for Outstanding Contribution to Irish Literature in 2012. He is the Inaugural Frank McCourt Professor of Creative Writing at the University of Limerick.

 

Visit Joseph O’Connor’s website.

THE WOMAN ON THE BRIDGE by Sheila O’Flanagan Is Number One on the Irish bestseller charts

Sheila O’Flanagan’s first foray into historical fiction, THE WOMAN ON THE BRIDGE, has stormed into the Irish bestseller chart, landing at Number 5 after its first three days on sale, and in its second week conquering the top spot!  

 Inspired by her grandmother’s story and set in 1920s Dublin, The Woman on the Bridge marks the start of an exciting new branch of Sheila’s work. THE WOMAN ON THE BRIDGE is published by Headline in the United Kingdom and Ireland and was launched at an event at Dubray Books in Dublin last week. Mobius publish the novel in the United States and Canada and the audio edition is narrated by Grainne Gillis.

 The novel has already been highly praised, with Electric Literature including it in ‘The Most Anticipated Irish Novels of 2023’, saying: ‘Braiding love, loss, and the sheer drama of war, O’Flanagan’s novel is redemptive in the way it peers into women’s lives, turns them right side up, and refuses to be forgotten.’ Peter Cunningham wrote in the Irish Independent that Sheila O’Flanagan ‘quickly establishes strong, credible characters and a clear sense of the city they live in… O’Flanagan’s legions of readers can look forward to yet another treat’ and Roddy Doyle praised THE WOMAN ON THE BRIDGE as ‘a great read… Winnie’s a great character, a terrific guide … She’s always real – she’s always human.’

Dublin. The 1920s. As war tears Ireland apart, two young people are caught up in events that will bring love, tragedy – and the hardest of choices. In a country fighting for freedom, it’s hard to live a normal life. Winnie O’Leary supports the cause, but she doesn’t go looking for trouble. Then rebel Joseph Burke steps into her workplace. Winnie is furious with him about a broken window. She’s not interested in romance. But love comes when you least expect it.

Joseph’s family shelter fugitives and transport weapons. Joseph would never ask Winnie to join the fight; but his mother and sisters demand commitment. Will Winnie choose Joseph, and put her own loved ones in deadly danger? Or wait for a time of peace that may never come? Ireland’s tumultuous independence struggle is the backdrop for an unforgettable story of courage and heartbreak, in which heroes are made of ordinary people.

Sheila is currently writing her next novel which will return to the present day, and will be published by Headline in 2024.

 About Sheila O’Flanagan

 Sheila O’Flanagan is an international bestselling novelist, with more than 9 million copies sold. Most of her novels have been immediate and long-lasting No 1s in Ireland, UK Top 10 Sunday Times Bestsellers and Kindle Bestsellers, and she is published in more than twenty languages around the world. She is the recipient of the prestigious Irish Tatler Literary Woman of the Year Award. Headline have acquired two new books from Sheila: THE WOMAN ON THE BRIDGE, a historical novel to be published in 2023 and a contemporary novel out in 2024.  

 Praise for THE WOMAN ON THE BRIDGE

 An Irish Independent 2023 pick

‘The people were entirely of their time and their struggles, but they could also be you or me, or anyone suddenly caught up in the sharpness of political disputes and the machinations of people and governments struggling for control.  It's the intimate stories painted on the wider canvas, and it brings history to life and into the home and the heart… filled with courage, heartbreak, optimism, and the strength of family bonds, both for good and ill.’ – Elizabeth Chadwick

‘A great read… Winnie’s a great character, a terrific guide. She brings us through big history but she has to feed the kids. She’s always real – she’s always human’ – Roddy Doyle

‘With a minimum of fuss, O’Flanagan quickly establishes strong, credible characters and a clear sense of the city they live in… O’Flanagan puts into play all the contemporary differences of class and political opinion, some of which are as fundamental today as they were a century ago… Whether Winifred and Joseph’s romance will survive in these circumstances is as fundamental to this warm-hearted story as are the survival prospects of the fledgling Free State. The emotional world of ordinary Dubs struggling to survive in a conflict whose consequences will take a century to resolve underpins this forthright tale of Ireland’s extremely complicated past. O’Flanagan’s legions of readers can look forward to yet another treat.’ – Peter Cunningham, Irish Independent  

‘This is historical fiction at its best. So often I find this genre focussing on a single woman, when in reality women's lives were more rooted in the home and their families. This beautiful story shows the true power and influence of so called “ordinary” woman. Women like Sheila’s grandmother might not have instigated history, but they were forced to react to it, so their stories take the true temperature of the times. It was unputdownable, full of poignancy, warmth and real and relatable women.’ – Kate Thompson

‘Utterly captivating, a novel that resonates as a piece of history and yet also as a modern story of love, war and how women will fight for the people they love.’ – Cathy Kelly

‘Sheila has always been one of my go-to authors and THE WOMAN ON THE BRIDGE does not disappoint, beautifully rich in historical detail and drama. An irresistible story of a country torn apart, the bonds of family, and the enduring power of love.’ – Carmel Harrington

‘Winnie’s development, both emotionally and politically, is interesting… [A] gripping novel… nuanced in its telling of Ireland’s seismic historical period.’ – Colette Sheridan, Irish Examiner

‘Inspired by the true story of O’Flanagan’s grandmother, THE WOMAN ON THE BRIDGE is about a young woman’s commitment to the fight for Ireland’s freedom. Braiding love, loss, and the sheer drama of war, O’Flanagan’s novel is redemptive in the way it peers into women’s lives, turns them right side up, and refuses to be forgotten.’ – Electric Literature, ‘The Most Anticipated Irish Novels of 2023’

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New bestseller PICTURE YOU DEAD by Peter James – ‘Picture perfect at peak’

Credit: Graham Franks Photography

PICTURE YOU DEAD by Peter James has flown to Number One in the Bookseller’s weekly ‘Bookstat E-Book Top 10’ and to Number Two in the Sunday Times hardback bestseller charts, after only three days on sale. ‘Picture perfect at peak for James’, the Bookseller reported, adding that ‘Peter James’s PICTURE YOU DEAD swiped the Bookstat e-book number one in a photo finish.’

The eighteenth instalment of the bestselling Detective Superintendent Roy Grace series is published by Pan Macmillan, who signed up 5 more series titles from Peter James last year.

PICTURE YOU DEAD was launched with a vigorous and inventive marketing and publicity campaign including a much-anticipated return to the traditional annual Roy Grace launch party – held again on Brighton pier after two years without an in-person celebration, and this time with ITV’s GRACE stars, John Simm and Richie Campbell, among the crowd.

Peter went on a whirlwind book signing tour across Sussex and beyond, visiting multiple independent bookshops, the Jersey Festival of Words, and Capital Crime Festival. He also embarked on an extensive regional radio tour. As well as the trade hardback, two exclusive editions of PICTURE YOU DEAD were also published: one with extra material exclusive to WH Smith, and a special edition for indie bookshops with beautiful sprayed edges.

In PICTURE YOU DEAD, Detective Superintendent Roy Grace finds himself plunged into an unfamiliar world of fine art – and art forgery. Outwardly the fine art scene appears respectable, refined, above reproach. But beneath the veneer, he rapidly finds that greed, deception and violence walk hand-in-hand.

Harry and Freya, an ordinary couple, dreamed for years of finding something priceless buried amongst the tat in a car boot sale. It was a dream they knew in their hearts would never come true – until the day it did… They buy a drab portrait for a few pounds, for its beautiful frame, planning to cut the painting out. Then studying it back at home there seems to be another picture beneath, of a stunning landscape. Could it be a long-lost masterpiece from 1770? If genuine, it could be worth millions. One collector is certain that the painting is genuine. Someone who will use any method he can to get what he wants and will stop at nothing.

And Harry and Freya are about to discover that their dream is turning into their worst nightmare…

Filming of the ITV series based on the Roy Grace novels continues in Brighton, with more of the thrilling stories to be broadcast in 2023. Peter is now writing the nineteenth instalment of the Roy Grace series which Pan Macmillan will publish next year.

Praise for Peter James:

‘Superior plotting and edge-of-the-seat suspense.’ – The Guardian

‘Peter James is one of the best crime writers in the business’ – Karin Slaughter

‘A master plotter who cunningly tunes into contemporary concerns. Peter James cannot fail to thrill.’  – Daily Mail

‘Memorable characters and nail-biting tension.’ –  Kathy Reichs

‘Peter James creates a world we can smell, touch and feel for his Brighton detective Inspector Roy Grace.’ – The Times

‘With echoes of Thomas Harris, the closer analogue is to Jeffrey Deaver’s clock-racing thrillers… James delivers the goods.’ — Kirkus Reviews

‘James just gets better and better and deserves the success he has achieved with this first-class series.’ — Independent on Sunday

About Peter James:

Peter James is the international bestselling author of many award-winning novels, repeatedly occupying the Number One slot on the Sunday Times bestseller charts in both hardback and paperback. Peter writes both thriller standalones and the hugely popular Brighton-set Roy Grace series, now adapted for ITV.

Peter’s books have been translated into thirty-eight languages, with worldwide sales of over twenty-one million copies and his Detective Superintendent Roy Grace series, set in Brighton, has given him 19 consecutive Sunday Times Number Ones. In 2015 WH Smith customers voted him the Greatest Crime Author of All Time and in 2016 he was awarded the coveted CWA Diamond Dagger, a lifetime achievement award for sustained excellence. In 2018 he received a Specsavers Honorary Platinum Bestseller Award. Peter James has also written two books based on true crime stories, with former senior detective Graham Bartlett.

The 16th Roy Grace, FIND THEM DEAD, was a UK Number 1 in both hardback and paperback, spending four consecutive weeks at Number 1 in paperback, and reaching Number 5 in Australia and Canada too. In 2021 Peter James repeated the hardback and paperback Top Ten double with LEFT YOU DEAD and standalone thriller I FOLLOW YOU.

Successful nationwide tours of the stage plays of THE PERFECT MURDER (2014), DEAD SIMPLE (2015,) NOT DEAD ENOUGH (2017) and THE HOUSE ON COLD HILL (2019) have packed theatres in dozens of British cities, and garnered magnificent reviews. The stage play of LOOKING GOOD DEAD toured the UK in 2021, and WISH YOU WERE DEAD will premiere in 2022. Several other Peter James novels are optioned for film and in further development.

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